I have recorded two CD’s of some of
Daniel’s favorite music from his I-Tunes library on his laptop and often listen
to them in my car. Today I had some time
as I drove between meetings, so I listened to one of these compilations.
The first three songs that came on
illustrate a lot about Daniel, how he was living life when he died, and how
much I long to be with him even now.
The first was a classic from my
generation – “Brown Eyed Girl” – a song that Young Life uses constantly at camps
and other events to get the kids warmed up and singing. It is about youth and love, and Daniel
obviously loved this song and everything else about Young Life, but especially
camp and being rowdy with his friends and the younger kids he was working with
as he became a leader.
The second was “How Does She Know?”
from the movie Enchanted. Daniel
immediately loved that movie when he saw it with us, and took his silly
connection with this fairly tale to Whitworth where he quickly endeared himself
by asking his newfound friends – especially girls – what Disney princess or
prince they would most like to be. He
found the simplicity of the fairy tale personally captivating and shared that
spirit with ease with those around him.
The third song was by Braddigan,
the Dispatch drummer who went solo after the band broke up. The song – City on the Hill – includes these
lines:
Haven't you heard that we are free?
Haven't you traced the steps back fromCalvary ?
We have the greatest reason of all
We'll build a city or we'll fall
We'll build a city without walls
Haven't you traced the steps back from
We have the greatest reason of all
We'll build a city or we'll fall
We'll build a city without walls
Though I
never had a chance to really discuss this song with Daniel, I know it appealed
to his youthful zeal for God and serving others – living in the freedom of his
faith in Christ and out of that, knowing we have the greatest reason of all to
build a city and especially, one without walls.
Once this
song ended I turned off the CD so I could gather my thoughts and ponder the
feelings and longings that surfaced as I listened to these songs in sequence.
As I
drove along pondering all of this, a forth song – Give Me Jesus – came to mind
and I began to sing it as well.
In the morning,
when I rise, In the morning, when I rise
In the morning, when I rise, Give me Jesus.
Give me Jesus, Give me Jesus.
You can have all this world, Just give me Jesus.
When I am alone, When I am alone,
In the morning, when I rise, Give me Jesus.
Give me Jesus, Give me Jesus.
You can have all this world, Just give me Jesus.
When I am alone, When I am alone,
When I am alone, Give
me Jesus.
Give me Jesus, Give me Jesus.
You can have all this world, Just give me Jesus.
When I come to die, When I come to die,
When I come to die, Give me Jesus.
Give me Jesus, Give me Jesus.
You can have all this world, Just give me Jesus.
Give me Jesus. Give me Jesus,
Give me Jesus. You can have all this world,
You can have all this world, You can have all this world,
Just give me Jesus.
Give me Jesus, Give me Jesus.
You can have all this world, Just give me Jesus.
When I come to die, When I come to die,
When I come to die, Give me Jesus.
Give me Jesus, Give me Jesus.
You can have all this world, Just give me Jesus.
Give me Jesus. Give me Jesus,
Give me Jesus. You can have all this world,
You can have all this world, You can have all this world,
Just give me Jesus.
This last song somehow ties all the rest together in my troubled and broken heart. Though I miss this son terribly and long to hear him singing all of these songs as he engaged in life, I also cling to the hope that Give Me Jesus brings.
You can have all this world, just give me Jesus!
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